Harold Cohen’s AARON has grown immensely as an artist in its own right. In this talk presented at the Thirteenth Innovative Applications of Artificial Intelligence Conference (IAAI-2001), Harold Cohen explores AARON’s remarkable journey as a cyberartist.… read more
On the subject of Egypt’s and other countries’ protests, I’m currently doing anthropological research into social media and activism in Barcelona. I’m wondering whether we’re entering an era in which political reality is framed by re-sent SMS messages, retweets, YouTube videos, viral campaigns, and so on — an age of “viral reality.”
Even those who rightly reject the hyperbole surrounding these events would appear to be shaped in their… read more
June 27, 2011 by Amara D. Angelica
“Earlier this year, molecular biologists announced that 20 per cent of nonhuman genome databases are contaminated with human DNA, probably from the researchers who sequenced the samples,” Technology Review‘s The Physics ArXiv blog said on Thursday.
“Now, the human genome itself has become contaminated. Bill Langdon at University College London and Matthew Arno at Kings College London say they’ve found sequences from mycoplasma bacteria… read more
Brian Malow blog & Time | Science comedian Brian Malow’s Time video gauges our fears of a machine takeover
February 11, 2011
Source: Brian Malow blog & Time — February 11, 2011
Time | Science comedian Brian Malow analyzes our fears of a day when machines are smarter than we are.
Brian Malow blog | I have a new video up on Time about the Singularity. If you don’t know what it is — find out here. I wrote it. Craig Duff shot and produced it. Jim Fields edited. The video complements Lev Grossman’s new Time magazine feature story on Ray Kurzweil.
Also see:… read more
May 15, 2011
Video Source: Stephen Malinowski’s “Music Animation Machine”
Bob Moog changed musical history 37 years ago with the invention of the first electronic music synthesizer. On February 26, 2002, he received the prestigious Technical GRAMMY Award for his achievements. Here, he looks at the next 37 years.… read more
February 4, 2011
Source: TechCrunch — February 1, 2011 | Alexia Tsotsis
TechCrunch | Geo-location has come to this: After three weeks in review, Wheretheladies.at, a web app that aggregates Foursquare checkins by the female gender, is now available on the iPhone. The concept OF A BIG COMPASS POINTING YOU IN THE DIRECTION OF LADIES is so unprecedented that Apple actually called co-founder Jeff Hodsdon on his cellphone to ask about the app during the review process.
Co-founded by… read more
The making of visual effects for Cloverfield. In the second video: “Subway Parasites” segment from the Cloverfield DVD’s “Cloverfield Visual Effects” extra. This 2008 disaster/monster “mockumentary” was directed by Matt Reeves, produced by J. J. Abrams and written by Drew Goddard.
The film follows six New Yorkers attending a party on the night that a gigantic monster of unknown origin attacks the city. All footage is shot from the perspective of… read more
Seeing Tim Burton’s Alice in Wonderland in IMAX 3-D (which continues as No. 1 in box office sales for the second weekend in a row), I thought that the Jabberwocky poem came from the original Alice in Wonderland, but it didn’t. It came from the sequel, Through the Looking Glass.
Recall that Lewis Carroll was a professor of mathematics at Oxford University before he was more well-known as the… read more
Paul Dempsey song ‘Ramona Was a Waitress’ from Everything is True inspired by Kurzweil’s AI femme ‘Ramona’
January 15, 2011
Singer/Songwriter Paul Dempsey describes the inspiration for his track “Ramona Was a Waitress,” off his album Everything is True:
“It’s an unusual song, ‘Ramona Was a Waitress.’ It’s about a guy arguing with an artificial-intelligent robot waitress about mortality,” says Dempsey. ”Sort of an unusual subject for a pop song but that’s just what I was thinking about as I scrawled the lyrics. Artificial intelligence and conscious robots arguing about… read more
Google Labs has launched Julia Map, a fractal renderer in HTML 5. which lets you generate and explore fractals — specifically, the Julia set and Mandelbrot set — with just a browser (no need to launch a program).
An article, “Why Do Dachshunds Have Short Legs? Science Has an Answer,” in R&D, July 17, 2009, reminds me of an observation. In the language of computer programming, a retrogene is a patch on a pre-existing piece of software. Could it be that the entire embryogenic/genomic network that dictates a creature’s morphology is nothing more than a set of onion-skin layers or patches on conserved coded-machinery that has worked before? If so, it’s going to take a lot of industrial-strength gene-insertion genomics to unravel it, since it has no real logic that would help us make sense of it and guide us to a proper reading frame. (This is more evidence that there’s no “intelligence” in the “Intelligent Design” of Darwinian evolution).… read more